Today, it is strongly obvious that the photo - really fine arts, and far from simple literal representation of objective reality which it as once thought, was. Alfred Shtiglits and Edward Steichen promoted creation of the photo the fine arts, and Shtiglits was especially known in his introduction to museum collections. Other practician, Lyndon Smith. There are many tools available to photographers to reach their desirable effects, such as: It is shown in galleries and exhibitions as Art, There not the corresponding recognition in this country.
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If, however, her photographer followed Eugene Disderi's advice. This concept of the photo as the mechanical carrier of record never completely stood. Others investigated a picture esthetic approach. What precisely it means? This exhibition spreads what the founding father of the photo could never know:
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Photographers of the fine arts work in the same way, just using the camera instead of a brush. Whether work shows esthetic qualities, or not it is defined 'the Illustrated Photo' which is very ambiguous word. This exhibition spreads what the founding father of the photo could never know: In the USA the photo was openly accepted as the Fine arts in certain quarters of the official.
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